Search Results

Unless you’re dead tired and ready for slumberland, like how Cinderella must have felt after a day of toil, you probably need some help in falling asleep. As we get older, we often sleep less, then try to sleep in, then sleep in too much, then have insomnia—it can be a dreary cycle. The answer isn’t to get on prescribed drugs that shouldn’t be taken for years (like Ambien). Instead it’s shutting off the chattering narrator that seems to suddenly start yapping endlessly the second your head hits the pillow. Fortunately, I have tricks for that, and I’ll telling you my three favorites today. They can be used to both fall asleep and get back to sleep. First is meditation, and I prefer a dedicated sleep meditation. A soothing voice and a book with the right focus is what you need, and that is highly personal and individualistic, so I won’t tell you which ones to use—you’ll have to judge further yourself. But I will say that I like the Great Meditation channel on YouTube, which is free. Michael Sealey is a popular YouTuber who uses hypnosis to help people fall asleep, and I find him incredibly soothing. (If hypnosis seems scary to you, this should help soothe your fears.) Second, is using sound or “soundscapes” to fall asleep. There are at least a thousand on YouTube, and I don’t have a favorite channel, but I do love green noise and trains in the blizzard soundscapes. Just have fun with it and experiment during the day to see what your ears like. You’ll find a soothing solution. Finally, and I’ve saved the best for last, is listening to audiobooks. The trick is that these books must be old favorites or they will be too stimulating. My current favorites are a popular biography of Queen Victoria by Julia Baird and The Last Seance , by Agatha Christie. Both have narrators with excellent voices and are just ever so slightly dull due to overfamiliarity, which is a good thing because you want to be lulled. If you don’t subscribe to Audible, like I do, they will be very expensive, and even with an Audible account, they are pricey. But luckily, if you have a library card, you can download an app like Libby , which lets anyone with a library card borrow audiobooks. The downside with Libby is that you have to wait to borrow most of the books, and you can’t keep them forever, but I still think it’s a good option. There are also podcasts that read old stories and books, and YouTube offers a lot as well, but I have no recommendations. I still think both are worth checking out, though. There you have it, my favorite ways to quiet your mind so you can fall asleep. This is the last of my series. I hope I’ve provided you with at least a few good tricks to catch more than 40 winks. May you always rest like Sleeping Beauty. Kate Wolford was the publisher and editor of The Fairy Tale Magazine  for many years. She’s now enjoying being Resident Fairy Godmother. Image from Pixabay.

Juliet Marillier’s stunning new novel, The Amber Owl , opens as Stasya, a young woman who lives on the edge of Heartwood Forest, and Lukas, a village goatherd, are telling each other stories. The two have been friends since childhood, but although Stasya feels at ease with Lukas, she keeps many of her spiritual rituals and unique abilities secret because she knows that widespread discovery of her gift for talking with animals might endanger her. Only her dog Flip, a shapeshifting companion, knows the full truth about Stasya’s talents, and when a group of soldiers arrives in the village threatening to tear down the Heartwood Forest, Flip transforms into a sparrow, flying into town to gather information that will help Stasya protect her beloved wilderness. The soldiers have been sent to locate the treasure hidden in the forest center, and when Stasya raises her voice in protest and uses her storytelling to incite rebellion, the men mark her as dangerous. Her unique ability to calm animals coupled with the amber owl amulet she wears around her neck garner suspicion, and she and an injured Lukas are eventually transported to Dragon’s Keep to be questioned by the vicious Ruler of the Northlands. Stasya stands against the Ruler’s cruel threats, vowing to always protect the forest her grandmother taught her to cherish. With the help of an unlikely ally who slowly reveals the details of his own surprising story, Stasya and Lukas attempt a daring escape from Dragon’s Keep, undertaking a journey that will test the bounds of their friendship as they each discover their place in the world. Marillier’s prose sings with both beauty and pain as she describes the way Stasya uses her gifts to help animals in need. Stasya can feel the anguish of even the smallest animal, and she sees the natural world as a sacred place, which in turn allows readers of the story to regard wildlife with wonder and contemplate the ancient wisdom of the trees. Marillier’s writing also explores human connections, presenting complex relationship which unfurl in the contexts of family dynamics, political power struggles, and slow-burn romantic attractions. The Amber Owl  is a perfectly paced book filled with unpredictable plot twists and poignant, emotional scenes. I couldn’t put it down! The gorgeous cover, detailed map of the Northlands, and exciting plot structure of the novel all make for a rewarding reading experience, but my favorite feature of The Amber Owl  is its brilliant commentary on storytelling itself. Stasya uses stories to understand the world, to affect change, and to heal people. As the narrative unfolds, characters interrogate the old forest tales they have heard, knowing that “every story has some truth in it.” The measured revelation of various characters’ stories underscores the importance of both speech and silence, and narrative pauses in the tales within the tale of the novel call attention to the endless possibilities that unfinished stories ignite. As The Amber Owl  reaches its own conclusion, it provides a satisfying closure to Stasya’s journey while also priming readers for the second book in the Heartwood Duology . Marillier has created a compelling story that sheds light on the art of storytelling itself, and it is this nuance which elevates The Amber Owl  to the highest literary status. The Amber Owl  is an alluring story of friendship, community, nature, magic, storytelling, and love. I can’t wait to see where the second book will take me! Don’t miss this one! You can find it here . Kelly Jarvis works as the Contributing Writer for The Fairy Tale Magazine. Her work has also been featured in A Moon of One’s Own,   Baseball Bard , Blue Heron Review , Corvid Queen, Eternal Haunted Summer,   Forget Me Not Press, Mermaids Monthly , The Chamber Magazine , The Magic of Us, and the World Weaver Press Anthology Mothers of Enchantment: New Tales of Fairy Godmothers . Selkie Moon  is her debut novella. You can connect with her on Facebook (Kelly Jarvis, Author), Instagram (@kellyjarviswriter) or visit her at https://kellyjarviswriter.com/

We are thrilled to present The Contest Issue 2025! Scroll down for a list of the winners in prose and poetry, and first lines for each piece in Spellbound, The Contest Issue. Click on the PDF to download and read the issue for free.  Click the box to download and read our Summer 2025 Contest Issue!  What’s inside: Winner in Poetry OUR GLASS HEARTS – 6 Those born with glass hearts are Of fragile make, Dr. Sara Cleto and Dr. Brittany Warman are award-winning folklorists, teachers, and writers. Together, they founded The Carterhaugh School of Folklore and the Fantastic, teaching creative souls how to re- enchant their lives. Their work can be found in Enchanted Living, Uncanny Magazine, Fairy Tale Review, Star*Line, and others. Runner Up in Poetry  BOTTLE OF THE JINN – 7 In silence, I feel the weight of my past, Clinging like a shroud of ancient mist. Murray Eiland is a poet interested in speculative fiction, and finds inspiration from myths. He is an archaeologist specializing in the Near East (DPhil Oxford University). Runner Up in Poetry  SUMMONING RED RIDING HOOD – 8 Make a circle of wolves in a dark forest on a moonlit night. Helen Patrice is an Australian writer living in Naarm. She writes speculative poetry and short fiction, creative non fiction, and memoir. Her books: A Woman of Mars, Palaeontology For Beginners, She Too, Three Cycles of the Moon, The Communicant and other stories, and Paper Birds (2025). Winner in Prose  THE SEA WITCH – 10 In the deepest part of the ocean plain, where seagrass waved and eels writhed in the current, a sea witch lived in exile. Far from the crystalline halls of the undersea palace, she made her home of woven grass, spindly ocean wood, and sorrow.  Alison Weber is a writer and artist inspired by fairytales and the Golden Age of Children's Book Illustration. Her work is for everyone who still dreams of magic. Alison lives near Seattle with her tiny family and beloved creatures, where she is currently building her dream illustration business. Runner Up in Prose   AFTER HAPPILY-EVER-AFTER – 15 Snow White rarely spoke her own name. It was something other people said — two words called out in affection or mockery, or laced with awe or disbelief.  Nomi Mini is a researcher who recently completed her PhD at the University of Cambridge. Outside of her academic work, she is passionate about nature-based art, folklore and fairytales, and her creative work was most recently featured in the University of Cambridge’s Blackbirds Poetry Magazine and won a Judges' Prize at Wild Warwick’s art exhibition. Runner Up in Prose  THE CHANGELING – 20 There was once a carpenter and his wife who lived in a beautiful little cottage in a picturesque village with a delightful village green and a clear, crystal stream running through. The cottage garden was full of red poppies, sky blue cornflowers and majestic hollyhocks growing against a stone wall. Sarah Das Gupta is an 83-year-old writer from Cambridge, UK who has also lived and worked in India and Tanzania. She started writing three years ago after an accident which limited her walking to a few yards. Her work has been published in over twenty countries. She is interested in Folklore and legends. She has recently been nominated for Best of the Net and a Dwarf Star. For  Spellbound, The Contest Issue,  Deborah Sage was our Judge for Poetry and Amy Trent was our Judge in Prose. We are thrilled to have such dedicated and capable judges and we’re delighted to bring you their selected poems and stories. The poems and stories they meticulously selected showcase fairy tales from obscure to familiar, and each winner brings a unique perspective to their work. We at The Fairy Tale Magazine  are pleased to carry forward the fairy tale storytelling tradition and happy to share tales and poems with you. The Fairy Tale Magazine  is made possible by the generosity of our Fairy Godparents Club members and many of our authors. Our staff members volunteer their time. If you enjoy this issue and giving feels good, we welcome your donation, small or large. You may give via PayPal to The Fairy Tale Magazine  ( thefairytalemagazine@gmail.com ).

I imagine things were pretty smoky when Cinderella was sleeping in the ashes. I mean, it had to have smelled like old fire, not to mention the disgusting refuse that people tended to toss into the hearth back in the day. And the soot particles must have affected her ability to sleep at night. Luckily, none of us are sleeping in the ashes, at least I hope not, but that doesn’t mean our air quality doesn’t affect our sleep. Allergens have a major effect on sleep—especially dust mites . Pollen is also a huge problem , which I know from personal experience. Tree and grass pollen make my face itch horribly and turn it a fiery red. The night time scratching makes sleep even more difficult than usual. Clearing the air in your bedroom is the only answer. That means dusting frequently, keeping windows closed when your allergies are at their worst, and changing the air filter for your house. These things are a drag—especially closing windows, because I’m a fresh air fiend, and fresh air absolutely promotes sleep. Once you’ve done all that, get a HEPA air purifier for your room. I swear my sleep improved by at least 20 percent after I bought one. Mine was pretty cheap and it works great. We liked it so much that we have one in our family room as well, and Todd and I are both bothered less by allergies. We did buy it from Amazon, and I get why people don’t want to buy there, but here's  a link to learn more about this cheap and effective air cleaner. There’s one more important element to healthy air for healthy sleep: A fan. Not only do fans cool and freshen the air, which they very effectively do, they also provide the white noise that many of us need for a good night’s rest. Like many other fan fanatics, I love the Vornado , which really moves the air and cools the room. No other fan comes close, in my experience. It’s well worth investing in. That’s all for now. Next time, I’ll be discussing meditation and other tricks for slipping into your dreams. Until then, rest easy. Kate Wolford was the publisher and editor of The Fairy Tale Magazine  for many years. She’s now enjoying being Resident Fairy Godmother. Image from Pixabay.

In Circling Flight  is a heart wrenching but beautiful book which tells the story of two women navigating emotional loss in the hills and hollows of Appalachia. The first part of the novel focuses on Leda, a young widow who speaks directly to her deceased husband as she goes about the daily tasks of caring for the goats on her property called Way Out Farm. In the depths of her grief, she adopts a rescue dog and names him Sirius, after the star that heralds the dog days of summer. She begins volunteering at soup kitchens to put her own struggles into wider perspective, and when money is tight, she takes a job as an adjunct writing professor at the local college. The connections she forges with the people she meets allow her to embrace the joys and pains of human life. She finds solace in the cyclical turning of the seasons and the endless rotation of the stars, inviting her new friends to celebrate the equinoxes and solstices which mark the forward progression of time. As the book moves toward its second part, the story branches deeper into the experiences of Leda’s friend Shannon, a single mother of two young children who is desperate to escape the harmful effects of mountaintop mining that have filled Appalachia with pollution and disease. As Leda’s relationship with Shannon’s cousin Sean (a war veteran suffering from Post Traumatic Stress Disorder) develops, and as Shannon connects with a new female partner, readers learn about the family's migration to from Ireland to America. Harrington deftly weaves Irish folklore and fairy stories through the narrative, introducing readers to the Celtic cross-quarter holidays that round out the wheel of the year. Dedicated to "the swallows who build in the eaves of houses," In Circling Flight is a love song to the Appalachian landscape and the resilient people who live there. In addition to a compelling plot, Harrington presents a beautifully crafted story which spirals forward with grace and precision. “I can’t understand how you make something this soft and pretty from what grows on the back of a goat and comes out of the mouth of a caterpillar,” Sean tells Leda in reference to the shawl she has knitted from the cashmere threads of her goat’s fur, and this casual statement serves as a symbol of the miraculous transformations scattered throughout the novel. Harrington’s characters are fully formed humans who turn their pain and grief into beauty and connection through the transformative power of storytelling. In Circling Flight  is a book I will spiral back to again and again because each read will yield new discoveries about life, loss, and love. I highly recommend this beautiful book! You can find In Circling Flight   here and can learn more about Jane Harrington’s latest work Women of the Fairy Tale Resistance: The Forgotten Founding Mothers of the Fairy Tale and the Stories that they Spin here . Like and Follow The Fairy Tale Magazine’s YouTube Channel for access to our upcoming interview with Jane Harrington and access our Fairy Tale Voices Series here . Kelly Jarvis is the Contributing Writer for The Fairy Tale Magazine. Her work has also been featured in A Moon of One’s Own,   Baseball Bard , Blue Heron Review , Corvid Queen, Eternal Haunted Summer,   Forget Me Not Press, Mermaids Monthly , The Chamber Magazine , The Magic of Us, and the World Weaver Press Anthology Mothers of Enchantment: New Tales of Fairy Godmothers . Her debut novella, Selkie Moon , was released in 2025. You can connect with her on Facebook (Kelly Jarvis, Author) or Instagram (@kellyjarviswriter) or find her at https://kellyjarviswriter.com/

Is your bedroom stuffy? Do you find yourself tossing off your bed covers in frustration at 3 A.M.? If so, you’re probably suffering from too much heat in your bedroom. Along with too much light  and the wrong bed linens , hot, stuffy bedroom air is a sleep killer.  Your body needs to cool down  to sleep readily and well. A hot, airless room will ruin good sleep. This is why people who live in big cities or can’t afford whole house air conditioning get window units. It’s why people used to sleep on fire escapes in New York before AC window units became available, and who can blame them? So how cold should your room be for optimal sleep? The best temperature is 65 degrees, but experts say anything between 60 and 67 is good. I personally like 65, because it’s cold enough for me to feel that I must cocoon under my bedding. The need to cocoon releases my body into relaxation and a kind of mini hibernation. Most people are like me, although their perfect temp may vary. Understand that 65 degrees is quite cold for a bedroom. If you’re outside, 65 degrees it’s a bit chilly, but it feels a lot colder inside, because houses are built to be warmer than the outdoors. Obviously, it’s not as cold as a “meat locker,” but I use that term to impress upon you how important it is to cool down at night. Ideally, your room should be extremely dark and chilly. What if you are sharing a bed with a person who hates the cold? First of all, if they don’t much like the cold, but sleep easily and well, then they just need to adjust. After all, the insomniac is the one who is truly suffering. You and your partner could also try the Scandinavian Sleep Method , which allows each sleeper to have their own duvet/blankets, creating their own sleeping nest. Or, if you are really motivated, you can try separate bedrooms, which I strongly advocate. Todd and I haven’t shared a bedroom for most of our long marriage, and it’s made us closer and more affectionate, because we don’t resent each other at night. He piles on the blankets in his room, and I snuggle under my own top sheet and cotton blanket in my own very cold room. Separate bedrooms are on the rise. Married couples sleeping separately is now at 35 percent and rising. The practice is called “ sleep divorce ,” a term I don’t love. Anyway, Todd is a thrasher and a snorer with serious chronic pain since his teens. I’m a chronic insomniac who wakes at the slightest noise, and who must have a cold room, so we both are advocates of this method. Cinderella was probably too dead tired to notice if the ashes were cold or still held warmth from the fire, but those of us who struggle with sleep need a cold, dark room. Period. Next time I’ll tackle air quality and freshness. Until then, sleep easy and dream deeply. Kate Wolford was the publisher and editor of The Fairy Tale Magazine  for many years. She’s now enjoying being Resident Fairy Godmother. Image from Pixabay.

Do you like reading in the sunshine or in the air-conditioned house? Either way, be sure to add The Fairy Tale Magazine’s ocean inspired collection of books to your summer reading list! Mermaids are at the heart of summer fairy tales, and you’ll find the shades of them in Kell Woods’ novel Upon a Starlit Tide , a mashup of The Little Mermaid and Cinderella. Filled with ocean imagery, this book is the perfect thing to quench your thirst for historical fiction and fairy tale. You can read my review here. Mermaid Moon  by Susann Cokal tells the story of a sixteen-year-old mermaid named Sanna who is searching for her land born mother. Like Hans Christian Anderson’s Little Mermaid, Sann must interact with a sea-witch, gaining the legs she needs to uncover the secrets of her family’s past. One of my favorite Little Mermaid retellings doesn’t feature mermaids at all! My Love, My Love; or, The Peasant Girl  is the stunning novel by Rosa Guy that inspired the Broadway musical Once on This Island . This heartbreaking, tropical novel features a young, dark-skinned girl in love with an aristocratic young man. Guy’s descriptions of the people and gods who populate the island will delight readers, and her sophisticated exploration of transformation will make you think of the fairy tale in a new way. Those looking for a more contemporary take on mermaids will enjoy An American Mermaid  by Julia Langbein. In this book, a high school teacher has written a best-selling book about a mermaid and is attempting to take part in its film adaptation. What follows is a humorous and poignant look at disabilities and transformation. You can read my review here . If you prefer selkies to mermaids, you must read Rose Sutherland’s beautiful novel A Sweet Sting of Salt . This sapphic retelling of selkie legends is set along the coast of Nova Scotia in the mid-1830s and it is dedicated to “anyone who has ever been lonely.” I love this book! You can read my review here . The Sea House  by Elisabeth Gifford explores the selkie legends of the remote Scottish Islands. When the bones of a baby with fused tail-like legs are found beneath a house, the new owners must investigate the past if they hope to heal the future. Although House of Salt and Sorrows  does not feature mermaids or selkies, this Gothic retelling of The Twelve Dancing Princesses by Erin A. Craig is full of nautical details. From the wind swept cliffs to the haunting waves, the seaside settings will keep readers captivated, while the mysterious murders will keep them on the edge of their seats.  Sara Underwood evokes tales and characters from Greek mythology in her novel   Lies We Sing to the Sea . This book forces readers to consider the generational effects of patriarchal violence against women as they follow the story of a young oracle named Leto. You can read my review here . Finally, The Wicked Deep , by Shea Ernshaw, takes readers to the cursed town of Sparrow where, two centuries ago, three sisters were drowned for witchery. Each summer they return, luring boys to the harbor and pulling them under. This spooky tale is sure to add some chills to the hot summer weather. Kelly Jarvis is the Contributing Writer for The Fairy Tale Magazine. Her work has also been featured in A Moon of One’s Own,   Baseball Bard , Blue Heron Review , Corvid Queen, Eternal Haunted Summer,   Forget Me Not Press, Mermaids Monthly , The Chamber Magazine , The Magic of Us, and the World Weaver Press Anthology Mothers of Enchantment: New Tales of Fairy Godmothers . Her first novella, Selkie Moon , comes out in 2025. You can connect with her on Facebook (Kelly Jarvis, Author) or Instagram (@kellyjarviswriter) or find her at https://kellyjarviswriter.com/ Cover Image by Pixabay

Dear Fairy Tale Friends, First, we’re sending a giant thank you to everyone who participated in our fundraising contest. We received so many fantastic submissions that our judges tell us the final decisions were difficult to make! Below are the winners for The Fairy Tale Magazine ’s Prose & Poetry Contest 2025: POETRY Poetry Winner Sara Cleto and Brittany Warman Runners Up in Poetry Murray Eiland Helen Patrice PROSE Prose Winner Alison Weber Runners Up in Prose Nomi Mini Sarah Das Gupta Many thanks to our judges for this year's contest:  Deborah Sage, Poetry Amy Trent, Prose Look for the winning stories and poems to be featured in "Spellbound" our upcoming bonus issue of The Fairy Tale Magazine  due out on July 15th! We will host a Zoom reading in celebration of the winners on July 26th.

Tossing and turning? Unable to get comfortable? Do your sheets cling to your body? Do they feel crispy or damp? Are they cool or hot? Cinderella surely never thought of such things while sleeping in the ashes, although she may have once she hit the palace. Yet, for the rest of us, the answers to my questions are important for good sleep. Sheets are a key factor for a restful night. The truth is, most people don’t wash them enough and have fallen for the myth that high thread count always means better sleep. But cool, crisp percale sheets may be the answer for you. They’re the only kind I sleep on, and a lot of other people with sleep issues have found comfort in percale. Percale is a 200-400 thread count cotton (never buy a cotton/polyester blend) fabric that admittedly, is a bit on the rough side, but is also very cool. These are the kind of sheets you may remember from childhood. And maybe your mom, like mine, was a firm believer in percale sheets hung out to dry in the sunshine. The resulting super clean, cool, fresh, rough sheets were like a sleeping pill. Sadly, many people consider hanging sheets out to dry to be tacky, but wealthy people do it all the time, and it’s much better for the environment than your dryer. My mother developed a clearing among the trees on our huge lot, and no one complained. (Also, you should know that many states have “right to dry” laws on the books, so no one can complain, legally speaking, in those states.) So, percale is the answer. I get mine from Vermont Country Store . I admit that they aren’t cheap, but they do give hot sleepers like me a cool, crisp night—and heat and stuffiness are the enemies of good sleep. Many people swear by high thread count sheets, saying they love the softness of that fancy Egyptian cotton thread, and if you have them and are enjoying blissful nights of sleep, then I’m both happy for you and envious of you. But if you are tossing and turning, if the ultra-soft sheets cling unpleasantly to your skin, if they feel a little dirty, even when they are clean, because they are too soft, then please do get percale! And now that I’ve mentioned sheets feeling dirty, please know that sheets should be washed at least once a week for insomniacs, while normal sleepers can go two weeks. After than, the collection of body soils makes the sheets much worse to sleep on. I keep a fresh set of sheets handy and will change them in the middle of the night if I can’t sleep. So please, wash the sheets! ( Here’s a detailed discussion on frequent sheet washing that should convince you if you’re skeptical.) That’s all for now. I’m actually laying in bed on my sheets as I type this. I put a fresh set on yesterday, and yes, I did sleep very well last night. Next time, I’ll focus on how cold your bedroom should be for good sleep. Until then, may your nights be cool and sleepy. Kate Wolford was the publisher and editor of The Fairy Tale Magazine  for many years. She’s now enjoying being Resident Fairy Godmother. Image from Pixabay.

No fairy tale symbol is more iconic than Cinderella’s glass slipper. One glint of a glass heel clicking across a ballroom floor plunges us directly into a Cinderella  story, so it may be a surprise for some readers to learn that in most variants of Cinderella , the shoe that acts as an identifier of the true bride is not made of glass. In Rhodopis , an Egyptian story often cited as an early variant of the fairy tale, the famous footwear is a leather sandal, and in Yeh-Shen , an early Chinese version of Cinderella , the slippers are “woven of gold threads, in a pattern like the scales of a fish.” Even the Brothers Grimm give Cinderella slippers made of silver and gold, but while all of these precious materials are no doubt beautiful, they fail to capture our imagination like the sparkling slippers crafted of cold, hard glass.  Charles Perrault’s Cinderella (which inspired the classic Disney film), may be the only traditional fairy tale heroine to don glass slippers, but she isn’t the only one associated with the beauty of glass. Snow White spends her enchanted sleep in a glass casket, and it is a looking glass that serves as a magic mirror to her step-mother, allowing the queen to see who is ‘the fairest one of all.” The Beast gives Beauty a magic looking glass so she can peer across the miles that separate them, and many of Beauty’s folkloric cousins must search for their own lost husbands at the tops of glass mountains. Even Cinderella’s step-sisters have “looking glasses so large that they could see themselves at their full length from head to foot” (Perrault). Glass items echo through fairy tales because we are naturally drawn to their aesthetic qualities. We delight in the dancing light which glints off glass surfaces and wonder at its reflective properties. Sea Glass , Pixabay Like the protagonists of fairy tales, I have long been drawn to sparkling things, and, in the summertime, I spend hours combing the shoreline looking for pieces of sea glass with miraculous stories to tell. Glass is first created when sand, soda ash, and limestone are heated to a liquid and shaped by human breath. Discarded bottles and drinkware then find their way to the sea where they are tumbled by the ocean waves until their edges are smoothed and their surfaces frosted. When a piece of sea glass finally reaches the beach, its jade, aqua, teal, blue, or white color shimmers in the salty sea foam, a rare jewel among the shells and stones. I collect each piece of sea glass I find, marveling at its transformative journey as I place it in a crystal jar on my windowsill. When the jar is touched by the sun’s rays, my sea glass sends prisms of color across my ceiling and walls, bringing me memories of summer and recollections of the sea. The beauty of Cinderella’s glass slipper has no doubt anchored it in our minds as a symbol of her fairy tale, but the glass slipper may also be synonymous with Cinderella because it shares her transformative qualities. Created from humble substances and shaped by human artistry into something beautiful, glass slippers are sturdy, but fragile, like Cinderella herself. And, although Charles Perrault never mentions sea glass in his fairy tale, I think sea glass is especially evocative of the girl who rises from the ashes to become a royal princess. Sea glass, which is created from discarded materials, proves that even when we shatter, our sharp pieces can be softened by the endless the swirl and tumble of time. Like Cinderella , sea glass shows us that broken things can be beautiful if we transform them with a touch of nature’s magic. Kelly Jarvis is the Contributing Writer for The Fairy Tale Magazine. Her work has also been featured in A Moon of One’s Own,   Baseball Bard , Blue Heron Review , Corvid Queen, Eternal Haunted Summer,   Forget Me Not Press, Mermaids Monthly , The Chamber Magazine , The Magic of Us, and the World Weaver Press Anthology Mothers of Enchantment: New Tales of Fairy Godmothers . Her first novella, Selkie Moon , comes out in 2025. You can connect with her on Facebook (Kelly Jarvis, Author) or Instagram (@kellyjarviswriter) or find her at https://kellyjarviswriter.com/

Ebony, Blood, and Snow  is a stunning collection of short stories inspired by traditional fairy tales. Writing in the tradition of artists like Angela Carter, Emma Donoghue, and Anne Sexton, Tish Black presents readers with feminist retellings designed to empower women and smash the patriarchy. Black grounds her retellings in a keen understanding of the female writers and scholars who have studied and worked with fairy tales before her, effectively penning a new group of intriguing stories from folkloric material. The stories in Ebony, Blood, and Snow  are told from both third person and first person perspectives, but each narrative is a clear and concise exploration of a character or tale. “Ebony” provides the back story of Snow White’s mother, “Amethyst” reworks “The Goose Girl,” and “Pine” presents a group of sisters who sneak out of their father’s house not to dance, but to earn their own money. Readers will find a Little Red Riding Hood who hunts wolves and a Rapunzel who escapes from her tower on her own. While the men in Black’s tales rarely act as saviors, women and witches are rewritten as powerful entities who navigate difficult circumstances with a combination of intelligence, cunning, and female rage. Two of my favorites include a Swan Maiden tale that opens with the fabulous phrase “Once upon a time, a king pissed off a witch,” and a nod to the frame tale of 1001 Nights  that showcases the incredible power of storytelling. The thirteen tales in Black’s collection are enticing enough to be read in one sitting, or they can be savored slowly by those looking to contemplate how fairy tale narratives have shaped and can continue to shape our cultural understanding of gendered expectations. Although many of the narratives contain alarming adult themes, the stories beautifully explore the roles of mothers, daughters, sisters, and wives, and the text offer new ideas for empowering women in both domestic and social spaces. If you enjoyed The Bloody Chamber  or Kissing the Witch , you will find much to love in Ebony, Blood, and Snow . You can find the book here , and you watch The Fairy Tale Magazine's interview with Tish Black on our YouTube Channel here . Like and follow to watch Fairy Tale Voices , a series of conversations with writers, poets, scholars, and artists who use fairy tale and folklore in their work. Thank you to the author for a free copy of the book in exchange for a fair review. Kelly Jarvis is the Contributing Writer for The Fairy Tale Magazine. Her work has also been featured in A Moon of One’s Own,   Baseball Bard , Blue Heron Review , Corvid Queen, Eternal Haunted Summer,   Forget Me Not Press, Mermaids Monthly , The Chamber Magazine , The Magic of Us, and the World Weaver Press Anthology Mothers of Enchantment: New Tales of Fairy Godmothers . Her first novella, Selkie Moon , comes out in 2025. You can connect with her on Facebook (Kelly Jarvis, Author) or Instagram (@kellyjarviswriter) or find her at https://kellyjarviswriter.com/

Silvatiicus Riddle, Rhysling shortlisted poet Today's interviewee for our Enchanted Creators series is the exceptional poet and writer Silvatiicus Riddle (He/They). He is a Rhysling-Nominated Dark Fantasy & Speculative Fiction Writer who lives on the borderlands of New York City. Riddle's work has appeared in Abyss & Apex, Dreams & Nightmares, Enchanted Living, Eternal Haunted Summer, Spectral Realms, and, of course, The Fairy Tale Magazine . In fact, his poem, “Medicine for the Ailing Mortal, as Told in Seven Stories” published by us May 1, 2024, has been nominated and shortlisted for a Rhysling Award. First of all, Silvatiicus, thank you for agreeing to chat with The Fairy Tale Magazine. We are excited to learn more about you and your incredible work! In your Rhysling nominated, shortlisted poem, “Medicine for the Ailing Mortal, as Told in Seven Stories” you chose iconic fairy tales, shaping each section with advice specific to each tale and its particular challenge. Tell us about how you were able to delve into each tale and create such specific yet profound statements for each?    With this particular poem, which examines seven popular and familiar fairy tales, I wanted to explore, through the lens of poetry, what it would look like to distill the essence of each story in a way that the reader, whom may come to the poem with a certain heaviness upon them, as many of us have in these turbulent times, would carry something away to consider or meditate upon. It was my hope that my words may be a balm that they did not know that they needed or were looking for.   When discussing fairy tales, these stories are often intricately woven with the memories we have of our childhoods. We might see these tales on film as children, or read the stories, and be captivated by the adventure, the wonder, the possibility. Often times, they were foundations for our understanding of morality, or the ability to overcome the varied and difficult trials we might yet face in our lives. Too often, many people leave these stories behind in their formative years, moving away toward adulthood with a sense that they’ve been set adrift in a place that looks nothing like the enchanted or dark forests of the stories they were raised upon, and as such, it can feel like there is no guidance. I certainly know that I have felt that way, as have many of the people that I have spoken to. Countless turn to religion or spirituality for the answers, for some light to illuminate the path forward. Historically, ancestrally, we were led from birth to grave by the bard, or the storyteller by the fire. Their stories were not just for the entertainment of children, however, but to steward those that needed guidance on their passage through the world, for the understanding of their inner and outer landscapes. Every story is ensouled with the purpose of holding dialogue with the parts of us that cannot speak. With this poem, I sought to pay reverence to this ancestral practice, a means of calling home the child within each of us, whom may feel a bit lost or misguided, and to remind each grown person that, through some of their favorite stories, which are universal, cross-cultural, and borderless, that they’ve been given the very tools that they need to take on the challenging and varied story that we all have found ourselves in.   Tell us about the Rhysling, and about what being shortlisted means to you.    So, the how the Rhysling Award works is that during a specific window of time, any active member of the SFPA (Science Fiction and Fantasy Poetry Association) may nominate any speculative fiction poem published the year before, to be considered for the Rhysling Award. All of those initial nominations become the Rhysling “Long List”. Then, from there, the Rhysling Jury considers each poem, and whittles down the list to 50 short poems and 25 long poems. That final list is the Short List, and that goes on to be published in the Rhysling Anthology for the year, and the members then read each poem and vote for their favorite pieces. The pieces that have the most votes win the award.   Being nominated at all is wonderful, and to be shortlisted is incredibly exciting, and not at all an easy feat. This is my fourth nomination, and my second time being shortlisted. I am always grateful for my writing to be seen; and to be acknowledged by a community of brilliant poets that recognize my work is a deep honor.   Within the poem, your repetition of key words such as “should,” “let,” and “remember” serve perhaps as invocations while also serving as prescriptions. Were those ideas present right from the first draft, or did they emerge over time as you crafted the poem? Can you pull back the curtain on your creative process?    Invocations, as well as prescriptions, yes. With each poem or story that I write, it is my hope that the tales that I spin may function as spellwork to the witch, meditations to the student, and medicine for the wounded heart – another common thread, for to live is to be wounded -- and we all have wounded hearts. My work is as much a balm to myself, as it is for anyone that seeks it out or stumbles upon it by chance. But, wounds are fertile soil, aren’t they? What forests can the right words grow, then, planted where there are cracks, where the pained parts of us hunger for greening, for light?   While I try not to be too intentional with my words (as I believe having too many intentions can actually impede the flow of creativity with too much thought), I knew the bones of the poem for sure: that I wanted the reader to feel an immediate sense that the seven stories are not about other  people, from some dusty century, long-dead, but that each of the stories are their story—it is their life written out upon the page; a private message of hope and resilience, penned just for them. The use of certain words, then, brings in that sense of familiarity and ease, saying: there is comfort to be found here, this is your poem . Please come in . My only other intention that I wanted for each story’s distilled “medicine”, was that I wanted it to be a potent, but gentle reminder that each reader, regardless of circumstance, still very much has their own agency and power.   Is there a specific tale that you return to time and again? What do you think it is that draws you back to it?   One tale that I return to time and again, that I also did not mention here, and perhaps it is a bit more modern than the others, is that of Peter Pan. Some people don’t consider that to be a fairy tale due to its length and the intended age of its readers, but still others do. I certainly believe it to be, as fairy tale is not simply the story that is told, it is also a spirit , which is why literary fiction can be fairy tale, song lyrics and musical orchestrations, epic tales, as well as poetry. With Peter Pan, I was never so seen as when I encountered that story for the first time, and have revisited Neverland many times since. A boy whom could speak to the fairies, and could fly, living inside the solid and very-much-real land of make believe? It was like J.M. Barrie knew me personally. Growing up as a queer boy/person with undiagnosed neurodivergence can certainly feel a lot like being something other-than-human, with all of the intended connotations that such a word might invoke. It’s a magical, horrible, treacherous, adventure between worlds that often, desired or not, leads you toward a life of solitude, wonder, high-strangeness, and a certain loneliness. Such a thing might, if ever, only be remedied by aligning yourself with other “lost boys” that, perchance, may understand the peculiarities of the world in a similar way as you do. As I’ve gotten older, time has only solidified this for me. The world has a way of changing grown-ups into pirates. Well, long ago, I’d made up my mind that I never want to be a pirate. I always want to fly, I always want to hear the fairies speak. Even if it means being disinvited from a society that wasn’t designed for someone like me. So, that story, for me, is my personal, designated fairy tale. It is comfort, it is resilience, it is hope and reassurance. For me, it is home.   Are there particular poets, artists, or stories that influence your work?   Yeats has my heart. Patricia McKillip speaks to my soul. Angela Carter, the madness and beauty in her words, carries me onward, even when I feel that I can go no further. I’m forever indebted to Jim Henson. Brian and Wendy Froud’s work on Labyrinth and The Dark Crystal set me on a path of understanding the breadth of magic, its limitless world of possibilities, and that there were people out there, in this very strange land that I find myself, that could help birth such things into being. Ray Bradbury rewired my brain when first I found “The Halloween Tree”, when I was seven, and the illustrations that accompanied his many works, most often drawn by his long-time friend and artistic collaborator, Joseph Mugnaini. I’m also deeply influenced by writings on witchcraft, occultism, esoteric practice, folklore, and the modern and historical documentation of real-life faerie encounters. Writers like Tolkien, Charles de Lint, Terri Windling, Alan Moore, Octavia Butler have all encouraged me to carve the magic from the marble of my own work. Of course, I can’t fail to mention my contemporaries in Speculative and Fantasy poetry today, and I honor each of them that work tirelessly creating magic, mystery, and beauty within the industry. Some of the modern poets that, for me, are really keeping the art form alive and interesting: Angel Leal, Pedro Iniguez, Angela Acosta, Lauren Scharhag, Theodora Goss, Dr. Sara Cleto, and Dr. Brittany Warman, to name a few. Artists whose work lives inside me, stoking the fires of my imagination: Jana Heidersdorf, Charles Vess, Andy Kehoe, Omar Rayyan, Seb McKinnon, Cory Godbey. Good art means everything to me. Good writing means everything to me. When you see a painting that transports you, when you read a sentence that takes your breath away? It’s a feeling like no other. You are, undoubtedly, encountering the sacred, and what it means to be alive.   What draws you to speculative or fairy tale-inspired poetry?    I am a punk boy that envisions a better world. Creativity is resistance. I am deeply interested in the re-enchantment of the world, and exploring, through writing, the continuation of awe, wonder, and magic that is intrinsic to humanity from childhood, or for some, may be sought and acquired later on. Speculative poetry and fiction are founded on the premise of possibility –– what is possible if only the laws, rules, and sociological elements of our world were the same or similar, but somehow bridged with the Other . Fairy Tales are a tradition stretching far back into human consciousness, a golden thread that runs through the heart and deep into pre-recorded history. But, what is it anchored to? Why are we so enamored of the fairy tale? It follows us through the centuries in the same way that spiritual traditions do. While the speculative gives us possibility, fairy tales give us the numinous. At any given moment, we are surrounded by a thousand forgotten gods ready to bless our step, or perhaps to curse us for our arrogance; they lean outward from the world that we, egotistically, built atop their own, rebuffing them of their needs of things like prayer and offering, whilst we go about worshipping ephemeral things like money and time. Their mythologies once lived inside of the oral traditions, which, crafted and hewn by the years, have become what we know as fairy tales. Fairy Tales connect us to that sacred place beneath our feet, to our very roots, to our healing, and to alchemy. We can begin to find self-alchemy in the study and understanding of fairy tales. Then, if we allow ourselves that transmutation that only fairy stories can provide, well, I think that begins to appease the gods and spirits that have been waiting so terribly long for the respect of acknowledgment. Who we are, where we come from, what we are capable of, is very much alive inside of fairy tales. They give us the understanding of our world, and the speculative expands upon it. As someone that seeks to live his life in awe, magic, wonder, and possibility, it’s a natural draw toward these genres and traditions, and through them, I am holding a vision of the world in renaissance.   There is a quality of warmth in so much of your writing that exudes a soothing embrace, a feeling of being held and comforted even in the darkest dark. Can you speak to that as a focus of your creativity? Is it a conscious choice you make, or does it flow naturally from your mind/pen?    It’s interesting, because often times when I set out to write a poem or story, I don’t begin with the intention of crafting something warm, inviting, or comforting. There are many pieces of mine, still, where such things are not explicitly found in the end, but, perhaps, they offer the glimmer that there might be something to hold on to, something left to be told, to hope for, or settling into a new paradigm to be found yet. I can think of a few poems or stories of mine where the protagonist goes through a terrible transformation, where such a thing might be the apex of a horror or suspense story to the avid reader, where one might find themselves in an abusive or desperate situation, but ultimately find comfort in their transformation or transportation to another realm; whether they’ve sacrificed their humanness to become a spirit of Halloween, for example, exploited their lycanthropy to take on tyrannical kings, or have run away from a broken home to join the faeries in their Bealtaine revelries.   I’ve been through a lion’s share of my own troubles, finding myself in abusive situations more than once, battling chronic illnesses, facing internal struggles with mental health, and outer struggles that are often worsened by living inside of a socio-political landscape that sees people like me as second class, or burdensome, and that is all putting it delicately. It is worth noting, always, that I am still in a place of privilege because of where I live, the color of my skin, and my presenting gender. To have such a privilege has given me certain advantages in life that are not afforded to everyone equally or equitably, regardless of my struggles. We also live in a time when there is unprecedented access to information, where the stories of people an ocean away, or even from the cities we live in, can be imbibed and understood while waiting for the coffee to brew ––  stories of people that we are encouraged to view as enemies can be instantly humanized and heard, when they are given a platform to speak without censure ––  people in need of help, and understanding, reassurance, hope, and love. Being raised on the likes of great individuals such as Mr. Rogers, Bob Ross, Paul Reubens, Steve Irwin is not something I would soon forget. It lives in my marrow. In this lifetime, it is my calling to write. When I sit at my desk, when the words come, even if they are terrifically dark, the question is a voiceless one that is always on my heart: how can I help?   That is why I started my Substack newsletter, The Goblin’s Reliquary . Social media is a fickle thing, at the whim and detriment of its billionaire owners and shareholders. I figured that if I can reach people directly, sans algorithms, I can share my writings with the people that have decided that they need my words or my presence, and through the lens of my own life and perspective, with the aid of folklore, poetry, fairy tale, the mythopoeic, the great writers and thinkers that have come before, I can potentially help someone by sharing my own cultivated fire, and perhaps, they may even help me. That’s the legacy that I want, that is something we should all strive for –– if some of us can learn to thrive in the land of dragons, we must lift someone else up onto the backs of the great beasts, so that, beyond the oppressive smoke and ash, they may know that we still live in the land of the sun. And, through our stories, we can show others that they, too, might learn to fly, and that every darkness, even that which we hold inside, is a doorway into hidden beauty. Be sure to find Silvatiicus Riddle's Substack newsletter , and don't forget to read the nominated poem. You may find Silvatiicus at Facebook.com/SilvatiicusRiddleAuthor  or Instagram @Silvatiicus Kristen Baum is Editor in Chief of The Fairy Tale Magazine . She is also a writer and composer blending fairy tales, film music, and fantasy into poems and songs and film scores.